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San Francisco has been good to Woody Allen, from his 1969 directing debut with “Take the Money and Run” to his lead turn in 1972’s “Play It Again, Sam,” and a long-overdue return visit provides just the shot of artistic adrenaline he needs in “Blue Jasmine.” It doesn’t hurt that this serious-minded but ruefully funny work is centered around a mesmerizing performance by Cate Blanchett as a neurotic Allen heroine for the ages, a desperate New York socialite who heads West after losing her husband and their ill-gotten fortune

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